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I always enjoyed the book Science Made Stupid, a parody science book. The writing is hit-and-miss, mostly relying on goofy sound-alike puns (the three kinds of rock are ignominious, sedentary, and metaphoric). Enough of the writing hits the target to make you believe the author, Tom Weller, is truly (or was trained as) a scientist. I liked the throwaway reference to the Devil’s Grant Proposal National Wasteland in Wyoming. But the artwork is superb and lifts it far above lamer low-end parodies. Here’s a typical explanation, reminiscent of the explanations of Calvin’s dad in Calvin and Hobbes.

We sometimes speak of the tides causing the oceans to rise or fall. Of course, this is a fallacy. Actually, it is the land that rises and falls.
As the Earth rotates, the moon’s gravitational attraction is greatest first on one side, then the other. Land masses, being rigid, are pulled up or down accordingly. Oceans, being liquid, are free to flow back to their normal level. (see diagram).

This site is based in Austria; I have no idea if the author approves of the material appearing online like this. If Amazon is any indication, the book is out of print, so enjoy the website.

My old pal Rob the Coffee Czar sent me a good link this morning: check out the animated timepiece at Industrious Clock at yugop.com, which appears to be related to the Japanese design firm MONO*crafts. I haven’t even had time to check out all the mesmerizing Flash demos they have up, but the ones I’ve looked at so far are really impressive. The Industrious Clock reminds me of another handwritten clock called the Human Clock. The Human Clock is much slower, but really seems to have succeeded as a social phenomenon. When I first saw it some time ago, every minute seemed to show someone from Portland, Oregon. But they seem to have succeeded to the extent that you’re as likely to find someone from New South Wales as from Oregon.

The web is a wonderful place for the LEGO-obsessed. LEGO fanatics seem to have the right genes for crafting detailed sites devoted to their love. Consider the inimitable LUGNET (LEGO User’s Group Network), an extraordinary community site dedicated to lovers of the plastic brick. And take a look at Escher’s “Ascending and Descending” in LEGO, part of a series of Escher prints rendered in you-know-what.

Ned Lud was a real person who smashed a knitting frame and was thereafter celebrated for striking a blow against the job-sucking engines of the Industrial Revolution. From that seed grew the mythical figure General Ludd, a shadowy figure credited with organizing the anti-technology Luddites. My little graphic notwithstanding, I did find several references on the web to a site called http://www.luddites.com. It has since gone off line…

That headline is no joke. This story is about the world’s funniest joke. I was absolutely certain that it was a bait-and-switch kind of a story about the psychology of jokes, but they did not disappoint. Follow the link, and there is a real joke there. As far as being the world’s funniest, I don’t know, but their rationale was: across genders, across many possible cultures, nations, religions, age groups, and languages, which joke, of a given list, ranked the highest? I was sorry to see the winner did not begin with So this guy walks into a bar, and …. But I’m getting ahead of myself. See for yourself. Here’s another related story at CNN.com from partway through the study: Europe’s funniest nation revealed (surprise! it’s Germany). Incidentally, Dave Barry had a good joke on the joke scientists:

The American data proved to be somewhat strange. Dave Barry is a well known humourist whose columns are syndicated in many American newspapers. In January 2002 he kindly devoted an entire column to LaughLab. At the end of the column he urged readers to submit jokes that simply ended with the punch line:
‘There’s a weasel chomping on my privates.’ Within just a few days we had received over 1500 ‘weasel chomping’ jokes.

The Houston Chronicle has a story this week about football players who can’t get enough. When they’re not playing it on the gridiron, they’re playing onscreen: Texans addicted as anybody else to video-game craze. NFL players have the benefit of seeing themselves playing in the computer game. As you can imagine, they take great interest in how well their virtual proxies do. My favorite quote was this one from the Electronic Arts PR firm that publishes Madden 2002 NFL Football.

The first thing players look at is what their rating is… If they see John Madden during the season they’ll ask him, “How come I’m not faster?” They take it real seriously.

I’m not surprised. The faithfulness of the simulations that can be achieved these days is really breathtaking, from the creases in the uniforms to the stadium lights to the end zone dances. Take a look at one of the promotional videos from the Madden site. If Virtual You kept chucking interceptions, you’d be pissed too. I spotted this on Boing Boing; read Cory Doctorow’s riff on the same topic.

My latest issue of The Atlantic came in the mail. James Fallows has a thoughtful piece on what would happen in Iraq after we won a war. That, in itself, is interesting, but not surprising. The surprising thing about my new issue of The Atlantic is this: I never subscribed to The Atlantic. If anyone out there can help clear up the mystery of where my subscription came from, I would most obliged. This is from Fallows.

“My nightmare scenario,” Merrill McPeak, the former Air Force chief of staff, told me, “is that we jump people in, seize the airport, bring in the 101st [Airborne Division]—and we can’t find Saddam Hussein. Then we’ve got Osama and Saddam Hussein out there, both of them achieving mythical heroic status in the Arab world just by surviving. It’s not a trivial problem to actually grab the guy, and it ain’t over until you’ve got him in handcuffs.”

Where is Manuel Noriega today? You don’t remember and you don’t care because we put him in jail. Or maybe it was because he was really boring in the first place. I can’t remember…

The Disturbing Auctions site is old and doesn’t seem to be kept up to date, but hey, it’s new to me, and it might be new to you too. A lot of it is pretty ho-hum, but every now and then you come across something truly inspirational like the Big Hands Baby or the Gator Bride. Making something that is so weirdly ugly requires its own sort of genius. You don’t have to like it, but you do owe it a certain grudging respect. I am reminded of the Museum of Bad Art, where they are more thoughtful and less sardonic in their approach to bad taste. The cornerstone of the MOBA holdings (and inspiration for the Museum) is the painting Lucy in the Field with Flowers, which really does sum things up very nicely.

We’ve all seen the same set of basic graphical illusions over and over since grade school, chestnuts like the Wife or Mother-in-Law image. After a while they seem lame and worn out; you’ve seen them all. But don’t give up yet. What you are about to see is, I feel safe in saying, the coolest illusion you have seen to date, perhaps the coolest you will ever see in your entire life. You will stare at it and stare at it and swear it can’t be so. You will call in your co-workers from the office next door. You will send it to your parents. The tired, old-fashioned version of the Checkerboard illusion is on display here (at Grand Illusions, which is nevertheless a very nifty site). The altogether new and truly amazing Checkershadow Illusion was created by Edward Adelson and lives at MIT. Once you have convinced yourself it can’t be so, peek here to see something that might make you believe. (seen on kottke.org)

Dean Acheson, who was the second Secretary of State under Harry Truman (George Marshall of Marshall Plan fame was the first), wrote a book called Present at the Creation in which he describes how, in the aftermath of World War II, one world order crumbled and a new one, largely defined by the Cold War, came into being. This year NPR has been using that same phrase,

Present at the Creation, to define its collection of reports on the origins of American cultural icons. It’s a great series. I have no idea how they chose the subjects, which run the gamut from the electric guitar to the Lincoln Memorial, but just about every one of them is a nifty little vignette of American cultural history.

For instance, the movie Animal House effectively defined much of what is now expected in the American university experience. It simply isn’t possible to consider your college education complete without having attended a toga party, all because of this movie. That kind of cultural impact represents real power. Who were the people behind it? Doug Kenney, a founder of National Lampoon magazine, was the primary writer of Animal House. The more you read about him, the more you realize that he was one of the most influential people in creating the modern ethos of cynically hip irony, the world view inherited by Jerry Seinfeld and David Letterman. As someone who presided over the downfall of one world view (a clean-cut, naive, Kingston Trio kind of world view) and the rise of another (Animal House, Saturday Night Live), Kenney is certainly worthy of being profiled in series called Present at the Creation. It’s only too bad Kenney didn’t live to tell his version of the story the way Dean Acheson did.