In the caverns of Lascaux, the canvas was stone and the pigment was dirt. Mud was the medium because the mud was there. That was the brush the artist had.

Every generation of artists is supplied with its own sets of media, often dictated by current technology. Painters in the nineteenth century benefited from advances in chemical engineering. For the first time in history they had a complete spectrum of colors brilliant, stable, and pure. Cadmium reds, chrome yellows, cobalt blues, and viridian greens brought Monet’s waterlilies to life. In any previous century they would have been muted and browned.
The nature of the medium also raises questions about the nature of the art. Earlier generations debated if photography could even be considered art. Or we might say Matisse’s paper cut-outs are no more than scraps cut from someone else’s paper. That’s not real art. But cut paper was the medium available to him, and he was an artist.
My favorite example of shifting media comes from the early days of YouTube. YouTube provided so much free digital video ore that an artist like Kutiman could mine and smelt it to create entirely new videos (like the fantastic Mother of All Funk Chords) solely from found pre-existing videos. Looked at one way, all he did was clip together other people’s videos. But from a different viewpoint, he was a highly-skilled artist working with a new medium: cast-off video scraps.
The compost of one generation become the pigment for the next. The brush doesn’t make the artist. The artist makes the brush. Kutiman painted with pre-existing videos just as surely as Botticelli painted with a horsehair brush.
All this brings me to the age of artificial intelligence. When we think of an artist using AI, it’s easy to think of the machine as doing the work of the artist. Computer, paint me something nice. This is AI as crutch. This scenario, in which the artist is excised, gives the artist too little credit.

An artist is an artist, and they will find a way to grab hold of the brush. Kelly Boesch is a video artist working in the world of AI. She uses these tools in a maximalist but still expressive way. You want to feel good about the future of self-expression? You want to see the new brush? Look at her work. It is unapologetic. AI is the brush, not the crutch. It’s not pretending to be something that it isn’t. And it’s amazing.
Watch.
- AI Video Made With Midjourney and Pika – YouTube.
- AI Animation Made Using Midjourney and Pika – YouTube.
- AI Video Made With Midjourney and RunwayML – YouTube.
- Magical AI Books – YouTube.
- AI Future Dance Video – YouTube.
As always, this question that hangs over cynics, doubters, and pessimists: If you think this is easy, could you do it? But more important, does it touch you the way art must? For me the answer is yes.
AI is just another brush, and I am delighted to watch Kelly Boesch wield it.
